The Imaging of God and the Creating Word

The Creating Word

In describing the mechanism of God’s creative energy, the writers of the biblical creation narratives may have employed any number of devices to communicate the unfathomable act of creation ex nihilo.  Unlike other narratives that imagine creation taken from the body of a deity, or even one in which the universe springs forth from pure, divine thought, the whole of creation in the biblical drama issues forth from the spoken word of the Creator.  This is profound, for speech is ultimately not an act of isolated engagement, but as Heidegger notes, is equally speaking and listening, a hearing and uncovering, an equal state of showing and beholding.

In this way, the speaking-Creator in the act of primal, universal becoming signifies something of the way in which the Creator is related to the creation.  Because the spoken word underpins the entire drama and energy of the universe’s becoming, that which is brought into being–the spoken-into–is made to participate in the one who speaks.  Through its emerging existence, the creation forms a conversation with the Creator, concomitantly the outcome of the word and the reason for it.

Moreover, the logic of this creating/becoming conversation unveils a suggestion of the meaningfulness of the creation to More >

“Son of the Morning,” by Oh, Sleeper

This outstanding track by Oh, Sleeper can be found on the new Tooth and Nail Solid State Sampler (just click on “Free Sampler”).

To me, this is one of those tracks that epitomizes how lyrical meaning can be radically extended by the medium in which it is delivered.  While I think the lyrics on their own merits are pretty profound, their execution against the shrill guitars and angst of the vocal performance infuse them with a level of intensity and meaning that could not be captured otherwise.  This is definitely one of my new favorite songs.


This song is basically a conversation between Satan and the crucified Christ, or rather a monologue from two radically different perspectives.

Throughout the song, the devil exults in his apparent victory over the “weak forgiver,” the supposed savior who has been vanquished by the devil’s hand in the grave.  Satan continues by mocking the dead Christ, intimating that he should have used his power to save himself, rather than “wasting power on grace.”  And having triumphed over Christ in death, the devil promises that the same end which now enfolds the body of the redeemer will be that toward which he will lure all those Christ came to More >

Some More on Apologetics

In my last post on the subject of apologetics, I argued the true spirit of apologetics should be focused on laying out the place of Christian beliefs within the context of the life and community of faith.  Instead of trying to “convince” non-believers about the “reasonableness” of the historicity or phenomenology of some point of doctrine, I suggested that the “reasonableness” of Christian belief can only be fully realized in the articulation of these doctrines as emerging from the experience of the faithful themselves.  In this way, then, beliefs about the Incarnation, resurrection, etc. are not “truths” that necessarily exist independently of the profession of faith of the community of believers, but rather find their truthfulness and meaningfulness from the mission and identity of the body of Christ within the kingdom of God in the world.

I suggest that the purpose of apologetics was never intended to be about converting others to one’s way of thinking through logic and argumentation.  Rather, to recall the famous Petrine passage, Christians are to give an answer “…to everyone who asks you to give the reason for the hope that you have” (I Peter 3:15).  The words in bold are important, for they frame the course More >